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In the realm of Czech literature, skibidi vibes collide with realism as Josef Kajetán Tyl champions the national theatre scene, sparking debates over its design. The Prozatimní divadlo emerges, while Ruchovci drop the almanach RUCH, lowkey igniting a cultural revolution. The National Theatre's opening, featuring Smetana's Libuše, is an artistic goon moment, showcasing the works of architects Zítek and Schulz, alongside painters like Aleš. The Májovci and Ruchovci generations, with their respective almanacs and principles, edge towards national identity while Lumírovci embrace a more cosmopolitan outlook, creating a dynamic ship of cultural evolution.